Review Index

The Academy of Muses (José Luis Guerín, Spain, 2015)
Alice Underground (Kate Kline May, USA, 1984)
Les amants (The Lovers) (Louis Malle, France, 1958)
Anita O’Day: The Life of a Jazz Singer (Robert Cavolini and Ian McCrudden, USA, 2008)
Antoine et Colette (François Truffaut, France, 1962)
Araya (Margot Benacerraf, Venezuela, 1959)
L’argent (Robert Bresson, France, 1983)
As Tears Go By (Wong Kar Wai, Hong Kong, 1988)

The Band Wagon (Vincent Minnelli, USA, 1953)
Barbarella (Roger Vadim, France/Italy, 1968)
Before Sunset (Richard Linklater, USA, 2004)

Cabin in the Sky (Vincent Minnelli, USA, 1943)
The Cabinet of Dr. Caligari (Das Cabinet des Dr. Caligari) (Robert Wiene, Germany, 1920)
La Captive (Chantal Akerman, France/Belgium, 2000)
The Chess Players (Satyajit Ray, India, 1977)
Chocolat (Claire Denis, France/Cameroon, 1988)
La Coeur fidèle (Jean Epstein, France, 1923)

Daisy Kenyon (Otto Preminger, USA, 1947)
Dans Paris (Christophe Honoré, France, 2006)
The Darjeeling Limited (Wes Anderson, USA, 2007)
Dark Passage (Delmer Daves, USA, 1947)
Desert Fury (Lewis Allen, 1947)
Dracula’s Daughter (Lambert Hillyer, USA, 1936)

Eccentricities of a Blonde-Haired Girl (M. de Oliveira, Portugal, 2009)
8 Women (8 Femmes) (François Ozon, France, 2002)
Les Enfants Terribles (Jean-Pierre Melville, France,1950)

Farewell, My Lovely (Dick Richards, USA, 1975)
The Fast and the Furious (Ireland & Sampson, USA, 1955)
ta Morgana 
(Werner Herzog, Germany, 1971)
For the Bible Tells Me So
 (Daniel G. Karslake, USA, 2007)
Friday Night (Vendredi Soir) (Claire Denis, France, 2002)

The Gleaners and I (Les glaneurs et la glaneuse) (Agnès Varda, France, 2000)
Gone to Earth (Michael Powell and Emeric Pressburger, UK, 1951)
La grande illusion (Jean Renoir, France, 1936)
Grandma’s Boy (Fred C. Newmeyer, USA, 1922)

Henri-Georges Clouzot’s Inferno (Bromberg & Medrea, France, 2009)
His Kind of Woman (John Farrow, USA, 1951)
8 Femmes (8 Women) (François Ozon, France, 2002)

I Confess (Alfred Hitchcock, USA, 1953)
I Married a Witch (René Clair, USA, 1942)
Into Great Silence (Philip Gröning, France/Switzerland/Germany, 2005)

Jane B. par Agnès V (Agnès Varda, France, 1988)
The Jane Austen Book Club (Robin Swicord, USA, 2007)
Jazz on a Summer’s Day (Aram Avakian, USA, 1960)

The Last of Mrs. Cheyney (Boleslawski and Arzner, USA, 1937)
The Lovers (Les amants) (Louis Malle, France, 1958)

Mädchen in Uniform (Leontine Sagan, Germany, 1931)
Meet Marlon Brando (Maysles & Maysles, USA, 1966)

Nosferatu (F.W. Murnau, Germany, 1922)

Of Time and the City (Terence Davies, UK, 2008)
Olivia (The Pit of Loneliness) (Jacqueline Audry, France, 1951)

Phantom Love (Nina Menkes, USA, 2007)
The Pirate (Vincent Minnelli, USA, 1948)
La pointe courte (Agnès Varda, France, 1954)
The Pretender (W. Lee Wilder, USA, 1947)

Savage Grace (Tom Kalin, USA, 2008)
Sing Sinner Sing (Howard Christie, USA, 1933)
Shadow of Terror (Lew Landers, USA, 1945)
The Spirit of the Beehive (Victor Erice, Spain, 1973)
Storm Over Lisbon (1944, USA, George Sherman)
The Strange Case of Angelica (Manoel de Oliveira, Portugal, 2011)
Suspicion (Alfred Hitchcock, USA, 1941)
Syndromes and a Century (Apichatpong Weerasethakul, Thailand, 2006)

Take Care of My Cat (Jae-eun Jeong, South Korea, 2001)
The Ties That Bind (Su Friedrich, USA, 1985)
2 Days in Paris (Julie Delpy, France, 2007)

Vendredi Soir (Friday Night) (Claire Denis, France, 2002)
Vision (Margarethe von Trotta, Germany, 2009)
Visions of a City (Larry Jordan, USA, 1978)
Vivian Maier Photographer (Tom Palazzolo, USA, 2012)

Wittgenstein (Derek Jarman, UK, 1993)
The Woman on the Beach (Jean Renoir, USA, 1947)
Working Girls (Lizzie Borden, USA, 1986)

Zou Zou (Marc Allégret, France, 1934)

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