30 Days of Fandor: Completed!

A few thoughts upon the completion of my 30 Days of Fandor Films project:

First things first: I did it! Not exactly in the month allotted (indeed, it  ended up taking just over two), but watching 21 films and writing a review about them in a single month? Considering that one of my original motivations was to counter a particularly pernicious creative slump, I think that’s pretty damn good. I had also figured I’d be reviewing a lot of short films—something Fandor conveniently specializes in—but as the month went on I actually found myself prioritizing more and more feature length films, and actually caught up with several particularly embarrassing oversights in my film viewing.

The sheer eclecticism of the films I watched also turned out to be a not unexpected but still deeply satisfying aspect of this project: short films and features, avant-garde and glossy classic Hollywood fare, obscure and canonical, documentaries and musicals and arthouse and silent films and everything in between; I also specifically tried to watch films from geographical locations I am more unfamiliar with than I like to admit (basically, most non-Western filmmaking traditions). I also wanted to prioritize films by female filmmakers, and while there’s always room from improvement, eight of 30 isn’t bad—and the films themselves were particularly good, considering that seven of them appear on the list I compiled below listening my favorite of everything I watched.

And frankly, I thought it would very quickly end up being difficult to watch more or less a film a day, a viewing schedule I haven’t kept up since my undergraduate years when I had a whole lot more time on my hands. And while I did struggle to finish the project after the initial month-long momentum had subsided, it really was a pleasure to rediscover how gratifying it is to have cinema in one’s everyday life.

So 30 films now off my Fandor queue… onward to those other 450+!

Twelve Favorites (in approximate order of preference):

01) LA CAPTIVE (Chantal Akerman, France/Belgium, 2000)
02) WORKING GIRLS (Lizzie Borden, USA, 1986)
03) LA JALOUSIE (JEALOUSY) (Philippe Garrel, France, 2013)
04) JANE B. PAR AGNÈS V. (Agnès Varda, France, 1988)
05) THE ACADEMY OF MUSES (José Luis Guerín, Spain, 2015)
06) THE TIES THAT BIND (Su Friedrich, USA, 1985)
07) ECCENTRICITIES OF A BLONDE-HAIRED GIRL (M. de Oliveira, Portugal, 2009)
08) VISION (Margarethe von Trotta, Germany, 2009)
09) NANOOK OF THE NORTH (Robert Flaherty, USA/France, 1922)
10) THE GENERAL (Clyde Bruckman & Buster Keaton, USA, 1926)
11) ARAYA (Margot Benacerraf, Venezuela, 1959)
12) HENRI-GEORGES CLOUZOT’S INFERNO (Bromberg & Medrea, France, 2009)

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