In his capsule review for The New York Times Stephen Holden calls New York in the 50’s (Blankenbaker, USA, 2000) a “documentary scrapbook,” and that’s a neat way of summing up both the appeal and the limitations of this brief, CliffsNotes-like introduction to the New York City/Greenwich Village arts and culture scene during the 1950’s and early 1960’s. Writer Dan Wakefield is extended screenplay credit, and the film is based on his book by the same name, though it’s unclear how much of the film is actually based on the book (which I have not read, but is characterized as a memoir featuring firsthand accounts from others). Wakefield is the most regular interviewee among what seem to be a bevy of his personal friends and acquaintances who end up serving as a collection of chatty talking heads, including but not limited to Joan Didion (who, unsurprisingly, provides several of the film’s sharpest and most memorable anecdotes), Gay Talese, John Gregory Dunne, Robert Redford, David Amram, Bruce Jay Friedman, and a number of others, all whose testimony and remembrances more or less comprise the bulk of the running time as well as provide the chief pleasures of the film. Because there’s scant else to it, and the distinct lack of archival footage makes New York in the 50’s come off as a nostalgia act simply coasting on the strength of the interview footage. Quite honestly, it feels and plays like a program that one would expect to find broadcast on PBS as filler for a slow weekend afternoon. It’s fine for what it is, I suppose, but it’s basically a rather forgettable treatment of a memorable topic.