The Pretender (USA, 1947), directed by W. Lee Wilder–Billy’s older brother–is a rather nasty piece of work, as thematically uncomfortable as it is visually ravishing. The film involves a slimy financier (Albert Dekker) who embezzles money from a beautiful heiress (Catherine Craig) who trusts him unquestioningly; as personal financial losses quickly pile up for Dekker’s character he scrambles to cover his tracks with a desperation that becomes closer and closer to outright hysteria. Along the way he implicates himself in a series of shady underworld dealings and, most insidiously, attempts to marry the unsuspecting Craig for her money.
When a mafia deal goes awry, Dekker finds himself inadvertently caught up in a potentially deadly trap of his own devising, and the film embarks on a perilous balancing act,
negotiating the audience’s desire to have him get his comeuppance for his generally villainous actions with the impulse of wanting him to escape punishment for a crime he didn’t actually commit. Once again, what distinguishes this Republic production is the gorgeous and complex lighting schemes and visual effects provided by John Alton; the score also heavily features the theramin–apparently among the first to do so–which is used to creepy, nightmarish effect. Another nifty demonstration of what can be accomplished on a tight budget and a bit (a lot?) of creativity.