week(s) in review – 04/02 – 05/13/12

So as I expected Memories of the Future was forced into a temporary hiatus in consideration of academic priorities, but I turned in my last paper of the semester this evening, and I’m eager to channel my focus towards several exciting projects that have presented themselves, and I’ve jotted down notes on a number of topics I’d like to post on here, starting with my forthcoming contribution to this year’s Film Preservation Blogathon, which kicked off yesterday.

To say nothing of all the films in store for Bay Area cinephiles this summer: the first weekend of the Roxie’s film noir series “I Wake Up Dreaming” was amazing, the Crossroads Festival for experimental film next weekend looks mind-blowing, the Silent Film Festival has announced an impressive lineup, the PFA has several programs this summer I’m eagerly awaiting (Dorsky!  Greenaway!  Czech New Wave!), Frameline will be here in several months, and the list goes on and on…

As usual, first viewing unless otherwise noted.

Theatrical Viewing


The Penal Colony
(Ruiz, Chile, 1970) – PFA, 16mm

A TV Dante: Cantos 9–14 (Ruiz, UK, 1991)  – PFA, 3/4″ Video

The Cook, The Thief, His Wife and Her Lover (Greenaway, UK, 1989) – Castro Theatre, 35mm

Zabriskie Point (Antonioni, USA, 1970) – Castro Theatre, 35mm

Whores’ Glory (Glawogger, Austria/Germany, 2012) – PFA, 35mm

Workingman’s Death (Glawogger, Austria/Germany, 2005) – PFA, 35mm

Kill Daddy Good Night (Das Vaterspiel) (Glawogger, Germany, 2009) – PFA, Digital Projection

Megacities (Glawogger, Austria, 1998) – PFA, 35mm

The Day He Arrives (Hong, South Korea, 2012) – SFFS Cinema, 35mm

Galaxie (Markopoulos, USA, 1966) – SFMOMA, 16mm

The Big Combo (J. Lewis, USA 1955) – Roxie Theater, 35mm

The Scar (Hollow Triumph) (Sekely,  USA, 1948) – Roxie Theater, 16mm

Knock on Any Door (N. Ray, USA, 1949) – Roxie Theater, 35mm

The Royal Tenenbaums (W. Anderson, USA, 2001) – Castro Theatre, 35mm

Une si jolie petite plage (Such a Pretty Little Beach) (Allégret, France, 1949) – Roxie Theater, Digital Projection

Detour (Ulmer, USA, 1945) – Roxie Theater, Digital Projection from a 35mm print; 2nd viewing

The Pretender (W.L. Wilder, USA, 1947) – Roxie Theater, 16mm

Home Viewing

The Blue Gardenia (Lang, USA, 1953) – Amazon Instant Video

Kiss Me Deadly (Aldrich, USA, 1955) – Projected Blu-ray; 2nd viewing

Making the Boys (Robey, USA, 2011) – Netflix Instant

Paranormal State: Seasons 1, 2, 3, and 5 (2007 – 2010) – Netflix Instant (one of my great guilty pleasures)

In Concert

St Vincent with tUnE-yArDs – Fox Theatre

Upcoming Possibilities

Storm Over Lisbon (Sherman, USA, 1944) and Shadow of Terror (Landers, USA, 1945) – Roxie Theatre, 05/16

Killer’s Kiss (Kubrick, USA, 1955) and Female Jungle (VeSota, USA, 1956) – Roxie Theatre, 05/18

To Have and Have Not (Hawks, USA, 1944) and Sergeant York (Hawks, USA, 1941) – Stanford Theatre, May 18 – 20

As much as the Crossroads Film Festival as possible – Victoria Theatre, 05/18 – 20

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