endless returns

One of my great pleasures is introducing Before Sunset (Richard Linklater, USA, 2004) to unsuspecting individuals… I always worry that its extreme talkiness will bore, but it has always worked its magic and everyone I’ve yet shared it with has been enchanted.  This time around was no different.  I’ve reached the point now where I can anticipate every sequence, even every word as it unfolds—and while the film never changes I certainly do, and I look forward to what my reaction each time around will be, as the film doesn’t necessarily reveal new nuances upon each revisit, but instead triggers unexpected revelations in myself.  I’ve just finished Jonathan Rosenbaum’s autobiography Moving Places: A Life at the Movies where he uses the (justly?) forgotten Doris Day vehicle On Moonlight Bay as a springboard for extended Proustian reveries… Before Sunset functions for me much the same way.  Still the greatest film I’ve ever seen, or the most special one (if there’s any difference between the two at all).

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